Earthy-Atmospheric Series · 2025
100 H × 100 W × 4 D cm | Mixed media on canvas | Original artwork · Stretched · Unframed
Archeology of Light approaches luminosity through the relationship between a pale field and warmer, denser passages. Light is suggested by what remains open between the marks rather than by a depicted source.
Fine vertical traces in ochre and brown pass through the lighter ground and gather towards the lower part of the composition. Here, warmer colour meets darker interruptions, setting the openness above against a more concentrated visual weight below.
From across a room, the painting reads as an airy field held by its lower band. At closer range, variations between the traces become more visible, allowing the pale intervals to become as important as the marks themselves.
FOR ARCHITECTS & INTERIOR DESIGNERS:
At 100 × 100 cm, Archeology of Light offers a balanced square format with a restrained but distinct spatial presence. Its combination of pale openness and denser lower passages makes it suitable for residential, hospitality, wellness and professional interiors where the work can operate through light, material variation and tonal contrast without dominating the architecture.
As a stretched, unframed canvas, the work can be installed as presented or framed according to the requirements of the project. Sonia Jeronimo Studio can provide technical information regarding placement, framing, lighting, delivery and installation.
Discuss this work for a project ↗
ACQUISITION & TECHNICAL INFORMATION:
YEAR: 2025
SERIES: Earthy-Atmospheric Series
DIMENSIONS: 100 H × 100 W × 4 D cm
MEDIUM: Mixed media on canvas
PRESENTATION: Stretched
FRAME: Unframed
PACKAGING: Protective box
DOCUMENTATION: Certificate of Authenticity and technical & installation sheet included
SHIPPING: Quoted separately
DELIVERY: Worldwide
WARRANTY: 15 days return
INSURANCE: Yes
PHOTOGRAPHY & COLOUR ACCURACY:
The artwork contains a restrained range of pale neutral tones, ochre, brown and darker earthy passages. These relationships shift according to the quality, temperature and direction of the light.
Under diffused natural daylight, the pale field and the separation between individual vertical traces become more visible. Under warm artificial light, the ochre and brown passages gain greater density and the lower part of the composition can appear more concentrated. Directional or lateral light reveals subtle changes in texture, layering and surface reflectivity.
Digital photography cannot reproduce the full tonal depth and material variation of the original work. Screen calibration, white balance, ambient light and image compression may alter the relationship between pale and warmer passages. Online and printed images are therefore representative only; the original artwork remains the definitive reference for colour, surface, scale and tonal depth.
Atmospheric Blue Series — Blue as Behaviour · 2025
60 H × 120 W × 4 D cm | Mixed media on canvas | Original artwork · Stretched · Unframed
Sediments of Silence III explores sedimentation as both a material process and a way of structuring stillness within the painted surface.
Blue develops through layered deposits, vertical traces and variations in density. Accumulation and gravity remain visible within the work, allowing the surface to register duration rather than resolve into a uniform field of colour.
The painting changes with light, viewing distance and position, revealing different relationships between mineral depth, surface variation and atmospheric presence.
Explore the material research behind the work ↗
FOR ARCHITECTS & INTERIOR DESIGNERS:
At 60 × 120 cm, Sediments of Silence III has a horizontal format that works particularly well above furniture, within circulation areas, and in residential, hospitality, wellness and professional interiors where a lower, extended proportion is appropriate to the architecture.
As a stretched, unframed canvas, the work can be installed as presented or framed according to the requirements of the project. Sonia Jeronimo Studio can provide technical information regarding placement, framing, lighting, delivery and installation.
Discuss this work for a project ↗
ACQUISITION & TECHNICAL INFORMATION:
YEAR: 2025
SERIES: Atmospheric Blue Series — Blue as Behaviour
DIMENSIONS: 60 H × 120 W × 4 D cm
MEDIUM: Mixed media on canvas
PRESENTATION: Stretched
FRAME: Framed
PACKAGING: Protective box
DOCUMENTATION: Certificate of Authenticity and technical & installation sheet included
SHIPPING: Quoted separately
DELIVERY: Worldwide
WARRANTY: 15 days return
INSURANCE: Yes
PHOTOGRAPHY & COLOUR ACCURACY:
The artwork contains a carefully developed range of pale silvery blue-grey, mineral blue, navy and deep blue-black. These tones shift according to the quality, temperature and direction of the light.
Under diffused natural daylight, lighter passages and transitions between blue-grey and mineral blue become more visible. Under warm artificial light, darker areas gain greater density and the work develops a deeper, more contained presence. Directional or lateral light reveals vertical traces, layered deposits, surface irregularities and subtle variations in reflectivity.
Digital photography cannot reproduce the full tonal depth and material complexity of the original work. Screen calibration, white balance, ambient light, image compression and online colour profiles may alter the balance between pale and darker passages. Online and printed images are therefore representative only; the original artwork remains the definitive reference for colour, surface, scale and tonal depth.
Atmospheric Blue Series — Blue as Behaviour · 2026
80 H × 80 W × 4 D cm | Mixed media on canvas | Original artwork · Stretched · Unframed
What the River Helds VI holds a concentrated passage of blue within a quieter grey field. The colour appears gathered rather than evenly distributed, giving the square composition a sense of containment.
Soft transitions meet a more defined blue area near the lower part of the surface. The contrast between this concentrated passage and the space around it allows the work to suggest distance and residue without describing a particular place.
At room scale, the painting reads through the balance of blue and grey. Closer attention shifts towards the boundaries between these areas, where small changes in tone, texture and density complicate the apparent stillness.
Explore the material research behind the work ↗
FOR ARCHITECTS & INTERIOR DESIGNERS:
At 80 × 80 cm, What the River Helds VI offers a restrained, concentrated presence within a compact square format. Its scale makes it suitable for residential, hospitality, wellness and professional interiors where material depth and tonal subtlety are required without overwhelming the surrounding architecture.
As a stretched, unframed canvas, the work can be installed as presented or framed according to the requirements of the project. Sonia Jeronimo Studio can provide technical information regarding placement, framing, lighting, delivery and installation.
Discuss this work for a project ↗
ACQUISITION & TECHNICAL INFORMATION:
YEAR: 2026
SERIES: Atmospheric Blue Series — Blue as Behaviour
DIMENSIONS: 80 H × 80 W × 4 D cm
MEDIUM: Mixed media on canvas
PRESENTATION: Stretched
FRAME: Unframed
PACKAGING: Protective box
DOCUMENTATION: Certificate of Authenticity and technical & installation sheet included
SHIPPING: Quoted separately
DELIVERY: Worldwide
WARRANTY: 15 days return
INSURANCE: Yes
PHOTOGRAPHY & COLOUR ACCURACY:
The artwork contains a restrained range of blue-grey, mineral blue, muted grey and darker blue passages. These tones shift according to the quality, temperature and direction of the light.
Under diffused natural daylight, the quieter grey field and the transitions around the concentrated blue passage become more visible. Under warm artificial light, the darker areas gain greater density and the work develops a softer, more enclosed presence. Directional or lateral light reveals subtle changes in texture, surface density and reflectivity.
Digital photography cannot reproduce the full tonal depth and material variation of the original work. Online and printed images are therefore representative only; the original painting remains the definitive reference for colour, surface, scale and tonal depth.
Earthy-Atmospheric Series · 2025
100 H × 150 W × 5 D cm | Mixed media on canvas | Original artwork · Stretched · Unframed
Dialogue Between Matter and Motion places a warm, irregular band between a pale upper field and cooler passages below. The meeting of these areas suggests a horizon without becoming a description of one.
Grey, ochre, rust-red and blue create opposing movements within the composition. The warm band carries the eye across the surface, while descending marks draw attention into the cooler field. Neither direction entirely contains the other.
At room scale, the work is read through this balance of division and connection. Closer viewing makes the boundaries less certain, revealing interruptions, tonal shifts and material changes that turn a seemingly stable structure into a more active exchange.
FOR ARCHITECTS & INTERIOR DESIGNERS:
At 100 × 150 cm, Dialogue Between Matter and Motion has a horizontal architectural presence suited to residential, hospitality, wellness and professional interiors. Its broader format allows the composition to establish a clear relationship with furniture lines, circulation and wall proportion while retaining material detail at closer range.
As a stretched, unframed canvas, the work can be installed as presented or framed according to the requirements of the project. Sonia Jeronimo Studio can provide technical information regarding placement, framing, lighting, delivery and installation.
Discuss this work for a project ↗
ACQUISITION & TECHNICAL INFORMATION:
YEAR: 2025
SERIES: Earthy-Atmospheric Series
DIMENSIONS: 100 H × 150 W × 5 D cm
MEDIUM: Mixed media on canvas
PRESENTATION: Stretched
FRAME: Unframed
PACKAGING: Protective box
DOCUMENTATION: Certificate of Authenticity and technical & installation sheet included
SHIPPING: Quoted separately
DELIVERY: Worldwide
WARRANTY: 15 days return
INSURANCE: Yes
PHOTOGRAPHY & COLOUR ACCURACY:
The artwork contains a layered range of pale neutrals, grey, ochre, rust-red and blue. These relationships shift according to the quality, temperature and direction of the light.
Under diffused natural daylight, the separation between the pale upper field, warm central band and cooler lower passages becomes more visible. Under warm artificial light, ochre and rust-red areas gain greater density while cooler passages become more subdued. Directional or lateral light reveals descending marks, surface interruptions, layering and subtle changes in reflectivity.
Digital photography cannot reproduce the full tonal depth and material variation of the original work. Screen calibration, white balance, ambient light and image compression may alter the balance between warm and cool passages. Online and printed images are therefore representative only; the original artwork remains the definitive reference for colour, surface, scale and tonal depth.
Atmospheric Blue Series — Blue as Behaviour · 2026
80 H × 80 W × 4 D cm | Mixed media on canvas | Original artwork · Stretched · Unframed
What the River Helds VII considers what remains when movement becomes a trace. Within its square format, blue emerges through a dark, uneven field rather than occupying the surface uniformly.
A concentrated blue passage meets muted earth tones and granular textures. The contrast between quieter areas and denser marks gives the surface a sense of accumulation, suggesting material held in place without illustrating a river or a particular landscape.
From a distance, the composition reads as a contained presence. Closer viewing brings smaller marks, tonal shifts and changes in texture into focus, allowing surface and depth to take different roles as the viewer approaches the work.
Explore the material research behind the work ↗
FOR ARCHITECTS & INTERIOR DESIGNERS:
At 80 × 80 cm, What the River Helds VII offers a concentrated material presence within a compact square format. Its scale makes it suitable for residential, hospitality, wellness and professional interiors where a materially active work is required without dominating the surrounding architecture.
As a stretched, unframed canvas, the work can be installed as presented or framed according to the requirements of the project. Sonia Jeronimo Studio can provide technical information regarding placement, framing, lighting, delivery and installation.
Discuss this work for a project ↗
ACQUISITION & TECHNICAL INFORMATION:
YEAR: 2026
SERIES: Atmospheric Blue Series — Blue as Behaviour
DIMENSIONS: 80 H × 80 W × 4 D cm
MEDIUM: Mixed media on canvas
PRESENTATION: Stretched
FRAME: Unframed
PACKAGING: Protective box
DOCUMENTATION: Certificate of Authenticity and technical & installation sheet included
SHIPPING: Quoted separately
DELIVERY: Worldwide
WARRANTY: 15 days return
INSURANCE: Yes
PHOTOGRAPHY & COLOUR ACCURACY:
The artwork contains a range of mineral blue, blue-grey, darker navy passages and muted earth tones. These tones shift according to the quality, temperature and direction of the light.
Under diffused natural daylight, the distinctions between the blue passages, quieter grey areas and granular surface become more visible. Under warm artificial light, the darker areas gain greater density and the composition becomes more contained and atmospheric. Directional or lateral light reveals small marks, textural irregularities and subtle variations in surface reflectivity.
Digital photography cannot reproduce the full tonal depth, texture and material variation of the original work. Online and printed images are therefore representative only; the original painting remains the definitive reference for colour, surface, scale and tonal depth.
Earthy-Atmospheric Series · 2025
100 H × 100 W × 4 D cm | Mixed media | Original artwork · Stretched · Unframed
September 2025 Winter & Fall I considers transition as a condition of the painted surface rather than as a representation of season or landscape.
The work belongs to the Earthy-Atmospheric Series, where material density, tonal variation and layered surface are used to hold a sense of change, accumulation and atmospheric shift within abstraction.
Its square format creates a contained field in which surface, rhythm and material presence can be read both from across a room and at closer range. The work is intended to remain visually active as light and viewing distance change.
FOR ARCHITECTS & INTERIOR DESIGNERS:
At 100 × 100 cm, September 2025 Winter & Fall I offers a balanced architectural presence within a compact square format. Its scale is suitable for residential, hospitality, wellness and professional interiors where an original work is intended to contribute material depth without dominating the surrounding space.
As a stretched, unframed work, it can be installed as presented or framed according to the requirements of the project. Sonia Jeronimo Studio can provide technical information regarding placement, framing, lighting, delivery and installation.
Discuss this work for a project ↗
ACQUISITION & TECHNICAL INFORMATION:
YEAR: 2025
SERIES: Earthy-Atmospheric Series
DIMENSIONS: 100 H × 100 W × 4 D cm
MEDIUM: Mixed media
PRESENTATION: Stretched
FRAME: Unframed
PACKAGING: Protective box
DOCUMENTATION: Certificate of Authenticity and technical & installation sheet included
SHIPPING: Quoted separately
DELIVERY: Worldwide
WARRANTY: 15 days return
INSURANCE: Yes
PHOTOGRAPHY & COLOUR ACCURACY:
Colour, tonal relationships, texture and surface reflectivity can change according to the quality, temperature and direction of the light.
Diffused natural daylight generally reveals tonal transitions and material variation more evenly, while warmer artificial light can increase perceived density and alter the balance between quieter and more active passages. Directional or lateral light can make surface relief and changes in reflectivity more apparent.
Digital photography cannot reproduce the full tonal and material complexity of the original work. Online and printed images are therefore representative only; the original artwork remains the definitive reference for colour, surface, scale and tonal depth.
Blue Strata I examines blue as a material condition shaped by mineral matter, movement and accumulation.
Built through acrylic, gesso, modelling paste, natural sediments, iron oxide and feldspars from Serra da Estrela, the work develops through density, abrasion and layered deposits. The surface shifts between areas of compressed darkness and mineral blue, allowing matter to remain physically present rather than dissolved into colour.
Blue does not describe a landscape. It records how matter gathers, settles and alters the surface.
At 80 × 80 cm, the work holds a concentrated architectural presence. Its material depth changes with lateral and indirect light, revealing differences in absorption, texture and mineral reflection across the surface.
The painting is stretched on a 4 cm wooden stretcher and presented in a dark oak floating frame with a 1 cm shadow gap.
Discuss this work for a project ↗
ACQUISITION & TECHNICAL INFORMATION:
YEAR: 2026
SERIES: Atmospheric Blue Series — Blue as Behaviour
DIMENSIONS: 85 H × 85 W cm ( with 5cm frame)
MEDIUM: Acrylic, gesso, modelling paste, natural sediments from the Seia River and Lagoa Comprida, Serra da Estrela, Portugal
PRESENTATION: Stretched
FRAME: Framed
PACKAGING: Protective box
DOCUMENTATION: Certificate of Authenticity and technical & installation sheet included
SHIPPING: Quoted separately
DELIVERY: Worldwide
WARRANTY: 15 days return
INSURANCE: Yes