The listed artwork price is €1,800. Confirm current availability, the final delivery amount and the purchase arrangements with the studio before payment.

The painting is presented on stretched canvas, without a frame, and the current listing specifies boxed dispatch. Ask the studio to confirm the dispatch schedule and the documentation supplied with the work.

Delivery information

Returns and refunds

Sediments of Silence III should be assessed as a textured material surface, rather than a flat colour image. Photographs and screens may alter the apparent colour, contrast and surface detail. The full painting photograph is the principal visual reference; interior images are scale visualisations.

Before acquisition, request current photographs of the painting in natural daylight, close views of the surface and, where useful, a short video. These help you assess the work in relation to your own lighting and viewing distance.

The chromatic behaviour of the painting is part of the work itself. Its blues are designed to shift with light, distance and viewing angle.

Sonia J. (Jerónimo) is a Portuguese abstract artist whose practice emerges from a profound transition after more than three decades in executive leadership in the technology sector. Her work translates pressure, transformation, resilience and emotional intelligence into large- and medium-scale abstract paintings built through colour, rhythm, texture and material experimentation. Working with acrylics, gesso, sand, mineral texture and layered pigments, Sonia J. creates paintings that operate between atmospheric abstraction and architectural presence. Her works are designed not only to be seen, but to inhabit space - bringing depth, silence, movement and emotional gravity to interiors. Her artistic language is deeply connected to blue as a field of perception, memory and transformation. In her work, blue is not treated as a fixed colour, but as a living condition shaped by light, matter, scale and distance. It changes according to illumination, surface density, rhythm and spatial tension.

Sonia J.'s blues are often constructed through careful mixtures of primary colours and influenced by natural mineral references, including local river sediments, water erosion and the atmospheric conditions of the landscape around her. These blues behave differently across the surface: some areas appear aquatic and translucent, while others become darker, heavier, mineral and almost geological. Rather than using colour as decoration, she investigates how blue performs within space - how it absorbs light, reacts to texture, holds silence, creates depth and changes with the viewer's movement. Through matter, rhythm and sediment, blue becomes a perceptual and architectural experience.

Her work is directed towards collectors, architects, interior designers, hospitality spaces and contemplative environments where painting is understood as presence, not mere decoration on a wall.

Her work has been presented internationally in exhibitions and art events including Port Gallery, Barcelona, for TOP Barcelona Prize 2026, with an official presentation at Museu Picasso, Barcelona; Consciousness at Palazzo Albrizzi-Capello, Venice, powered by ITSLIQUID Group and held parallel to the 61st Venice Biennale; Times Square Exhibition, New York, featuring Drift of Mineral Light, powered by Plogix Gallery; Galleria Sempione, Rome; MUST Museum, Southern Italy; Galleria Cael, Milan, for Gifts of Art | L'estetica del Dono; Galleria Art Spazio Tempo, Venice; the 1st International Braga Contemporary Art Exhibition, Portugal; and the 5th International Contemporary Art Fair by ITSLIQUID Group in Barcelona.

Her recognition includes selection for TOP Barcelona Prize 2026, finalist selection for the Premio Internazionale Artista d'Europa in Venice, Artist of the Month by ITSLIQUID Group, an interview with Luca Curci, CEO of ITSLIQUID Group, and inclusion among the Top 10 Berlin Contemporary Artists by BBA. Sonia J. is also listed in the AKOUN Art Price Database, with a High / Hausse tendency and a reference value of €1,200 for the 100 × 100 cm format.

Beyond exhibitions, her work has entered interior and architectural contexts, including an architectural premium loft installation in Barcelona in collaboration with Alpaca Studio, a spa installation in a four-star hotel in Verona, a restaurant installation in Monte Baldo, Verona, a lobby / entrance installation at Scuderia del Garda, Spiaggi, Verona, and installations in a healthcare centre and legal corporate office in Guarda, Portugal.

Her portfolio has been reviewed and discussed with international art professionals including Roberto Litta, International Art Curator for TOP Barcelona 2026 at Port Gallery and Galleria Sempione, Rome; Charlotte Paritzky, Director of Z&B Gallery and Co-Founder of OBRA Art; Quentin Métayer, PR & Communication at Perrotin; and Flavio Scaloni, Gallery Manager at Galerie Lo Scalo. Their feedback highlights her mastery of material, coherent use of gesture, texture and colour, and a renewed interpretation of the Action Painting tradition through a contemporary mineral and atmospheric language.