“Quiet Verticaleties” builds a field through gravity and repetition: poured and dragged blues accumulate into vertical veils that alternately reveal and obscure what sits beneath. The composition resists a single focal point, instead asking the viewer to read time—thin runs, paused drips, erased passages, and the densified band that gathers at the base like a shoreline of pigment. The work operates between atmosphere and surface, where transparency becomes a kind of architecture. Its quiet drama is structural: a sustained downward pull countered by intermittent darker columns that hold the field in place, suggesting a threshold between suspension and settling.This piece gives you calm without going flat. From across the room it reads like rain on glass—cool, spacious, and clean—while up close it becomes richly tactile, with layers, scrapes, and a grounded “tide line” of deep blues. It’s an easy anchor for a space that wants serenity but still needs presence: soft light, strong rhythm, and just enough depth to keep you looking.