“Re-Inventing Pollocks” builds upon the explosive legacy of Jackson Pollock, but transforms it into something unmistakably contemporary, tactile, and emotionally charged. While Pollock’s gestures dissolved the boundaries between artist and canvas, my work reimagines that energy through sculptural surfaces, controlled luminosity, and a layered emotional architecture.

Each piece begins long before paint ever touches the canvas. The process starts with a hand-built terrain — gesso, sand, modeling pastes — shaped like geological memory. These tactile foundations create a physical depth that anchors the work, allowing the later gestures to erupt with purpose rather than chaos. This is not mid-century automatism; it is a choreography of emotion and structure. Instinct and architecture moving together.

Color is poured, guided, and released in intentional sweeps. The gestures carry the raw voltage of gestural abstraction, but within them lives a quiet intelligence — the part of me that has survived rupture, burnout, and reinvention. This series was born during a time of emotional explosion, when feeling could no longer stay contained and had to be given a physical form expansive enough to hold it.

Light becomes an active participant: glosses, metallics, and resin create shifting luminosity that moves with the viewer, transforming each painting into a living field of presence. What appears solid becomes fluid; what appears chaotic reveals order; what appears expressive holds structure beneath.

Re-Inventing Pollocks is not a stylistic homage — it is a transformation.
A sensory field where color becomes energy, surface becomes emotion, and movement becomes truth. A contemporary expansion of abstraction that honors its origins while breaking them open to make space for a new voice — one shaped by rupture, resilience, and the courage to begin again..