“Sediments of Silence” is built through vertical accretions of pigment, mineral textures, and suspended drips that accumulate rather than erupt. The surface operates as a temporal archive: each layer settles into the next, forming a dense field of quiet persistence. The painting resists immediacy. Its visual logic unfolds slowly, requiring sustained attention to perceive the stratification of materials and the subtle interruptions within repetition. Texture plays a decisive role, functioning as both memory and resistance. Contemporary interiors seeking depth without narrative. Architectural or minimalist spaces where texture is primary. Collectors interested in abstraction as material memory.